Punt WG
15 March, 16:00–19:00
Opening Mapping Belonging: A Retrospective on Home
NL Amsterdam
["Mayrah Udvardi\n\nMayrah UdvardiExhibition Opening Times: \nThu-Sun: 14:00 - 18:00\nMon-Wed: by Appointment*&nbsp", "\n\nLecture: 22 March", " 14:00 - 18:00\n\n\nPart of the airWG series\n\n\nMapping Belonging&nbsp", "presents an in-depth reflection on the spatial conditions for belonging as experienced by Mayrah Udvardi", " atelierWG Artist in Residence. During her three-month residency", " Udvardi examined the diverse places she has called home&mdash", "defined as any location where she lived for three months or more with access to a kitchen&mdash", "to consider how architecture", " geography", " and cultural context informed her sense of place.\n\n\nHow does your built environment contribute to your sense of belonging &mdash", " or displacement?\n\n\nIn her role as Design Director with MASS Design Group &mdash", " a global nonprofit that partners with communities to design", " build", " and advocate for architecture that promotes justice and human dignity &mdash", " Udvardi habitually poses this question to others. Yet her creative practice is deeply personal", " shaped by repeated experiences of placemaking and uprooting that began in childhood.\n\n\nBy the time she came of age", " Udvardi had learned two profound lessons. First", " political access does not equate to social acceptance. Although citizenship in three countries eased border crossings for her family", " it held no sway on the playground. Belonging", " she observed", " arises from shared history", " a connection to place", " and a sense of steadfastness &mdash", " all of which eluded her. \n\n\nSecond", " the construction of homes and territories perpetuates transnational &ldquo", "slow violence&rdquo", " &mdash", " the gradual harm inflicted by privileged communities on marginalized peoples and ecosystems. She witnessed this in the suburbanization of her birthplace in Ngunnawal country (Australian Capital Territory)", " which rendered thousands of acres vulnerable to fire", " in the influx of migrants to post-wall Berlin fleeing war and economic hardship", " and in the precarious farmworker housing underpinning Oregon&rsquo", "s agricultural empire. While she eventually accepted that belonging might remain elusive", " the reality of slow violence became a galvanizing force in her professional practice.\n\n\nUdvardi&rsquo", "s retrospective is organized as an interactive catalogue of cartographies that trace the emotional and historical significance of each past home at domestic", " community", " and regional scales. Visitors are invited to engage tactilely with the catalogue", " drawing their own conclusions about each home&rsquo", "s capacity to foster belonging. Ultimately", "&nbsp", "Mapping Belonging&nbsp", "urges contemplation of how origins", " migrations", " and memories converge to form a sense of home and challenges viewers to question the complex forces shaping our relationships with place.\n\npuntWG is open on weekends from 14.00 to 18.00 hrs and extra opening hours as shown above.\n\n\nAnd also by appointment\n\n"]
The Hmm
26 March, 19:00
Circulating, distributing, smuggling: the power of the small file
NL Amsterdam
["Dive into the potential of the small file within the context of digital culture and documentary art during this collaborative evening between The Hmm and Het Documentaire Paviljoen. What does the small file offer us in terms of the circulation, exchange, or even smuggling of information? How does working with small formats open up the possibilities within constraint—creating and celebrating a new kind of small file aesthetics? \nIn the last years there has been a huge increase in streaming, data hoarding, and the training and use of generative AI. The ecological burdens of these shifts in how we are using the internet and digital technologies are becoming ever more visible. Demands for data—which require cheap electricity, high bandwidth, and seemingly infinite digital storage—are starkly political—creating a divide between what are often called “data rich” and “data poor” countries. This digital divide can determine who has access to what, where, and when", " creating an asymmetrical sharing of data like video, texts, and images. \nThis evening brings together 5 short films that were selected by The Hmm during the 2024 Small File Media Festival (SFMF). These films are not just short, but also small: not more than 1.44MB per minute, the storage capacity of a floppy disk. As the SFMF writes “Small files are media for the whole world. Traveling easily on 2G networks, they arrive intact in lightly infrastructured regions (that is, where most folks in the world live) and where networks are threatened by war and siege.” \nTo contextualise the film program, we’ll be joined by filmmaker Minoo Iranpour Mobarakeh and artist and scholar Radek Przedpełski to discuss the creative and political uses and potentialities of the small file. And artist Nestor Siré will be contributing to the event with a special interactive version of his offline curatorial project !!!Sección ARTE, that will link Amsterdam and Cuba through an informal, offline, data sharing network. Bring a USB stick or hard drive with at least 1GB of space in order to take part! 💾 \n🍿Short film line-up\nRestore — Minoo Iranpour Mobarakeh\nIs Every Republic Constructed on Flat Earth? — Clint Sleeper\nWalking through a Nile Codex — Mena El Shazly and Omnia Sabry\nTHE RIVER — Anabela Costa\nI do not have enough money to buy new underwear — Jayson Sloan \nFounded in 2020, the SFMF aims to raise awareness of the high carbon footprint of streaming media, and proposes alternative solutions for media practice, as well as creating new modes of thinking. These films, ranging from humorous animations to politically censored content that was damaged and then restored, encompass the power and possibilities of the small image. \n📅 Date: Wednesday 26 March 2025\n🕗 Time: 20.00 – 21.30 CET\n📍 Location: Het Documentaire Paviljoen, De Spiegel", " Vondelpark 3, Amsterdam🎟 Tickets: €12 regular, €6,50 student, Cineville", " available via Het Documentaire Paviljoen"]